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Auralex Acoustic Usage:

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It is now available in two size options: 1’ x 1’ x 2” or 2’ x 2?x 2” panels. Made of our industry–leading Studiofoam, these panels offer great absorption of mid to high frequencies. The edges are beveled, contributing to an elegant look not normally associated with acoustic foam. The panels can be installed easily and arranged in a multitude of attractive patterns.  

Just like its big brother the T’Fusor, the MiniFusor Sound Diffusor is very versatile and affordable. The MiniFusor’s shape lends itself to various wall patterns and its cavity can be filled with acoustic foam or Auralex Mineral Fiber Insulation to provide better diffusion and low frequency trapping.   

Made from a lightweight–yet–sturdy high–impact thermoplastic, T’Fusor Sound Diffusors beat the performance of competing sound diffusors hands down and offer massive cost–savings to boot! T’Fusors drop easily into ceiling grids and are wall mountable with pushpins, staples, nails, Tubetak, Velcro or 2–sided tape. 

SonoFiber is the perfect solution for those budget–conscious projects requiring a Class A fire rating without the aesthetic demands of designer treatments such as fabric–covered panels. SonoFiber is a 1" thick charcoal gray natural fiber acoustic absorptive panel that offers significant advantages over the more traditional Class A melamine foam alternatives 

It’s only natural... a new Designer Series LENRD to complete our new DST line–up. DST–LENRD Bass Traps offer you all the great benefits of our ever–popular LENRD Bass Traps in a design that will definitely make any DST install look stellar. When doing an install needing some low frequency sound control, the DST–LENRD Bass Trap is a great design alternative. 

The GRAMMA (Gig and Recording, Amp and Monitor, Modulation Attenuator) is an incredibly effective patented device that’s used to float an amp or loudspeaker. GRAMMA yields nearly total acoustic isolation, resulting in a purity of tone that has to be heard to be believed! 

Stages and traditional drum risers sympathetically vibrate (resonate) with the drums and/or PA system. These resonances feed back to the drums & are then picked up by the mics. It is specifically engineered to reduce coloration from floor resonance by decoupling the drum kit from the structure, resulting in a tighter, more pure sound for both studio and FOH.